Ms. Mild’s House

© June 1, 2018. All Rights Reserved

Whenever the caressing wind blows, the same routine begins. The rustling leaves aimlessly wander. The scintillating sun seems non-existent. From dusk till dawn, there’s only the moon in the eerie, black firmanents, but that was a folklore, which now may be a myth. Sebastian, an 18-year-old in a black and bluish-green mail truck hand delivers a heavy package, which is 14 inches in height and 11 inches in width to a blond occupant (with long, curly hair, ocean blue eyes, black eyeliner, a stainless, golden necklace, of a crucifix, blue overalls made out of jean material, which is over her red laced bra. She has a stainless, golden watch on her right wrist, and 3 stainless golden bangles on her left wrist. 

Miss Mild says, “You made it. Let me help you with that package, hun. Step inside anytime, so you can make yourself at home. First day on the job?” 

With a sore neck, Sebastian hands the package to Miss Mild, saying, “How’d you guess? I could be a thief. Why would you trust me in your home? You don’t even know me.”

Miss Mild proceeds walking, then smiles, saying, “Because I trust all of my friends. Everyone is my friend. I treat everyone the way I’d love to be treated. I’m Miss Mild and you are?”

“Sebastian,” he says.

“Would you like a meal, hun?” How about a hot cup of coffee,” she offers. 

With a silver remote control, Miss Mild then turns on the black-flat-screen television, which is hung on the peach-colored plaster wall. 

A comedy host wearing an all white business suit says, “Today’s forecast is going to be mostly cloudy with a forty percent chance of bullshit!” 

Sebastian says, “No thank you. Your company is enough. You’re too sweet.” 

Miss Mild says, “Are you okay?” 

Sebastian responds, “Yes. It’s real nice of you to offer me to stay. Please don’t take this the wrong way, but I have a job to get back to doing.” 

Miss Mild walks closer, saying, “My children are always trying to impress momma! Before you go, I wanna ask you something.” 

Sebastian says with curiosity, “Tell me.” 

Miss Mild rests her right hand on his forehead, which soothes his entire body magically, also eliminating his sore neck. 

She then says, “Better?” 

“How’d you do that,” he questions. 

She says, “You ask too many questions. Time is non-existent. Look at your watch, look at the clock. Tell me what time it is, hun. Sebastian looks at his silver watch on his right wrist and there’s no minute hand nor an hour hand. He peers at a digital alarm clock on the kitchen counter, seeing numbers. 

“Why aren’t there numbers,” he asks.

“When you find out what time, return,” she says. 

He says, “Miss Mild, thank you for your company. Enjoy yourself. Bye.” 

When he leaves her house and enters the mail truck, a loud bell tower makes a “gong” sound seven times. Miss Mild opens the burgundy curtains from the living room, staring at him with an ominous smile. The time in the truck reads, “7:00 A.M,” then decreases to “3:00 A.M.” Thus, the bell makes a gong sound three times. Immediately, Sebastian drives away. 

Letter in May

© May 1, 2018. All Rights Reserved.

Dear God,

The masses practice the unpromising,
Running me inside-out of my dead mind
This town is infested with worshipping
Satan. I might as well be utterly blind.
The most I need isn’t natural greed.
Red apples are bitten before I bite
So there’s readiness to drink full-speed.
My thirst ages when tears disappear
From my demitasse of impurity.
The dearth of change is in the hemisphere.

My letters burn; “Dear Beloved,” I wrote,
Then I hear a bell falling down the stairs,
But what’s in the basement is a banknote.
The door locks once like my morning prayers,
But there’s a spirit inside of the vent.
The lights turn on and someone is praying.
She prays, but her saintly voice leads no hint,
Unfound like where’s my huge likeliness to die.
The voice comes closer as the door unlocks,
But the steps fall from top to bottom. Bye-bye!

Sincerely,

 

A Dead Man

 

The Drekavac Train

© Feb. 1, 2018. All Rights Reserved.

Despite her tender wounds confined,
Bereft, she has prolonged simpers,
Or so nicotine smiles of youth.
Present in my reveries,
Lingering till nightmares aligned,
She perishes, but there’s whimpers.
Writhing asleep, I make a breeze.

The damnedest goldmines are deep-sixed
With echoes wandering ditches.
While the firmaments part afar,
There’s locomotives, careening
Like a loud shooting star affixed.
Of folklores and beastly stitches,
Girls are egg donors like forced tar.
Boys are probed like adults squealing.

Our canteens leak like water towers
Are to tears, grappling with eyelids.
Alas, imprisoned by deep downfalls,
Dusk oceans under bridges unite.
It’s unreal; I’ve seen the still hours
In books during sounds of katydids
Mingling, walls thumping, and phone calls.
Thus, there’s no evidence of hindsight.

Citizens ridicule such train myths.
Masks with military jackets
Ride aboard; yet, they’re invisible.
There’s no evidence of such aged tracks,
But lamb hearts cut into three-fifths
With archaic messages for wits.
Prophecy’s not a miracle.
The line’s as crowded as flashbacks.

Mixed beliefs from skeptics to not,
Unite to see the historic train.
Citizens laugh, but then they stop.
It’s midnight and the train arrives,
Transparent enough to see a plot.
Crowds run; they’re shot in the migraine.
Divers still are ushered to the top.
Then, the train’s in motion with more lives.

 

 

 

Mylonite and Tomorrow

© Jan. 21, 2018. All Rights Reserved.

Pinch me. On my noteworthy journey, I see a trampoline on a rooftop, two-story building where a cage surrounds the upper section to protect participants from falling to their promising death. I’m across the street, walking on the sidewalk with black binoculars wrapped around my neck, a black and white, long-sleeved, zipped up, plaid jacket, a black, leather belt with silver studs, tattered, blue jeans, and black tennis shoes. I’m holding a camcorder where I record the aesthetic buildings, only to see two strangers kissing.

Needless to say, I’m marginalized like a piece of gelatin. People of all shapes and sizes appear happy and I remember them like the latest facial recognition software. Even the few little people I see around city appear happy, holding hands with someone near and dear. Like my parents, grandparents, great grandparents, great, great grandparents, and down the entire ancestor bloodline, they’ll eventually get into a scuffle and that’s the end of the story. It’s no different and why should I stand out from the competition?

I’ve seen my love read, write, and speak fluently in two different languages, formally and informally. A prolific reader, she is, reading a dozen stories within twelve, astounding seconds, unconsciously write with perfect grammar, sentence structures, and storytelling, which exceeds the planet’s expectations, and effectively speak slang, just as much as she can read and write in cursive. Rumor has it that she can speak in every language known to humankind, including the lost ones, for she often uses archaic words nobody comprehends at the end of her intellectual conversations. Like pure poetry, a single word she may utter articulates her emotions, ideas, opinions, factual statements, and sense of humor with ease, which can cease deep-rooted rivalries, permanently.

She’s so social, that there’s rumors that she’s a mindreader of some sort. She has sympathy for the socially awkward, but it’s all a dream. Yet, again, I awake in my bedroom, imagining the same woman, practically idolizing the perspiration dripping from her hair follicles. My dead skin cells are reborn if they ever so touch her exfoliated skin. I’ve never seen this woman in my life, so why does my night terrors taunt me when we could be polar opposites? My reveries befriend my dreams, but my dreams, I still can’t control.

In front of me is a poster of a half-naked blond, swimsuit model (where the cosmography desperately flirts) nailed to the black, plaster, glazed wall, to my right side, there’s a mini-refrigerator, and to my left side, there’s a silver, flat-screen television sitting on a black dresser with a clean fish tank in the background. In the fish tank, there’s a Florida box turtle (who is consuming an earthworm), a black and white, ocellaris clownfish, and a goldfish. I rise up to turn the air conditioner on, then from upstairs, I hear my name being called, “Giovanni! Giovanni! Get up here quick!” That raspy voice startles me, sending me the urge to walk the opposite direction, but I rush up the squeaky, wooden stairs from the gloomy basement.

I open the door, seeing a blinding, white light flash in my eyes in my very presence, then feel cold water splash across my face with such an impact that I nearly fell backwards down the stairs. Guffaws rise across the living room as my eyes then see Jess, a 22-year-old sound designer with black, long, curly hair and a one-sided braid on the right side. She has brown freckles holding a sanguine flashlight. Jess has a black cardigan, blue jeans, and black tennis shoes while Larissa, a 19-year-old, over-achieving brunette with short, curly hair, thick, reading glasses, blue overalls, and black jack boots. Larissa has an Associate’s Degree in Fire Science at the University of Petunia in Afghanistan, a Bachelor’s Degree in Radiation Therapy at the Gifted College of Russiaville, a Master’s Degree in Film Studies with a minor in fashion design at Italy’s Golden Elites, and a PHD in Psychology at Vellia College New York.

I’m humiliated. None of these entities are my friends, but I eye at a birthday cake as they proceed to laugh like it’s their profession. Beside the blue cake, which says, “Happy 18th Birthday” are many pieces of confetti in Rolling Hitch Knots. Larissa then says, “Blow out your candles grown man.” Jess says, “Wait! Let me take a pic with birthday boy first.” Larissa says, “Giovanni’s an adult now and right now, he’s hungry. Isn’t that right?” I then say, “Uuumm.”

Jess says, “Hurry up already and make up your mind. Giovanni’s my homeboy.”

I’m handed the professional cake knife, but before I approach the circular glass table, all of the lights turn off. Jess utters, “Make a wish.” Theres eighteen lit candles extending out of the cake. As I blow out the candles, the light flickers on and off, repeatedly. Everyone looks on the opposite side of the closet where my intoxicated mother is, wearing a tye-dye shirt, blue jeans, and black tennis shoes. She laughs with wobbly legs in the dark until she falls, crashing onto the black, leather couch. Thus, I blow out the candles, then cut the cake.

My mother jumps over a 6 foot, circular, beige bean bag and the milk-white leather couch, screaming, “Happy Birthday” in a joking manner.

Oh, the laughter haunts me. Then, the ground floor shakes. Dishes fall out of the cabinets. Pictures fall from the walls. Dressers fall over. Everyone screams rushing to the floor. It’s an earthquake, but gladly, the place isn’t fully destroyed.

The Following Day

The moment I awake from my mattress, which is sitting on the black tiled floor, I receive a text message. I rise up to check my black cell phone, which is sitting on a tawny dresser. The text is from Jess, which reads, “What up? Tell your moms that I’m clockin’ in at seven tonight.” I text Jess back, “Got it.” My mother opens the basement door, then limos down the stairs with a right anterior cruciate ligament, which feels fractured when she puts weight on it. Practically deveining me with her stare as if though I’m phytoplankton, she groans while refraining from using profanity, then speaks, smelling like strong liquor with vinegar, “Who you textin’?”

Silence remains on my mouth like trying to hear a headless maggot in a forest fire. Her body has the stench of three cadavers in a sewage, but maybe I’m exaggerating. Take my word for it or take a sniff. She reaches the bottom step, walks over, then says, “I’m just messin’ around. Ain’t nobody tryin’ to look at your phone.” She then looks at my screen, laughs, then says, “I’m going to need you to do me a favor. I need some money to get groceries. I know you’re trying to save up.” In response, I say, “I don’t have that much money. I only have twenty dollars.” She takes the money from my hand, saying, “Thank you.” I head upstairs as she says, “I need to wash up. When you’re ready, take out the trash.”

After drinking 3 cups of water from the kitchen, I dump two, black garbage bags into the dumpster. The moment I make my way back, my mother says, “Did you check the mail?” “You never told me to check the mail,” I say. She yells, “I did! Don’t worry about it. Just help me move this couch.” “I can do it myself,” I say, then she responds, “I don’t think so. That couch cost me two thousand dollars,” she says. First, I close the front door, then get on the left end of the couch while she gets on the opposite side. She says, “Lift it from the bottom. Go.” Together, we both lift the couch from the middle of the living room near the burgundy, draped curtains that block the view of the balcony. She asks me, “Do you like the couch over here or where it was better?”

I say, “Where you just moved it looks great.”

“Just great,” she says, then her cell phone rings where she rants for approximately five minutes while I stand. I attempt to head elsewhere and she calls me to say, “Did I tell you to move? We’re about to get this house together and we’re working on your room next,” then speaks to her caller, “Let me get off this phone. I know you have an appointment.” After chuckling, she ends the phone call.

I receive a text message and she slaps me before yelling, “Come on, Giovanni! We have to clean up around here! You can’t be textin’! You had all day to do that! Tell whoever you’re textin’ that you’re busy!” “Okay,” I say, then look at the phone screen, reading, a message from Helen, saying, “I’m going to kill myself.” How do I tell Helen that I’m busy? I text the words, “I’m helping my mom move heavy furniture around right now. Can you refrain from killing yourself in about an hour?” Before I can press the send button, my phone rings and it’s an unknown caller, saying, “Hello. Is Benedetta there?” Thus, I take the phone away from my ear, saying to my mom, “Someone wants to speak to you.”

She takes the phone from my hand and speaks, “Hello… You have the wrong number. “Can I have my phone back,” I say. She responds, “Not until we’re done cleaning. What are you doing that’s more important than your personal growth?” Luckily, no random person texted me a naked picture while my mother has my cell phone. I say, “I just wanted to let them know I’m busy.” “They’ll know when you stop responding. Jesus, stop frowning. What type of job are you going to get frowning all the time. Even a garbage man has to smile and be social. I shouldn’t have to answer phone calls for you to set up your doctor’s appointment. When I was sixteen, I had my two jobs, a house, car, and a girlfriend that I had to spend time with. I even had to finish high school to receive my master’s degree in Social Work. Get your shit together or get out of my house. God gave you a stigmatism because you weren’t paying attention to your surroundings. Now’s the time to focus or you’ll be blind. I never had a stigmatism because I read my Bible. Jesus died for our sins,” she yells.

I have foreknown forethoughts about the things I’d like to do to my mother. A paintball gun aimed at her is foolish a water balloon being thrown. I’ve wanted her dead for a long time, but how precious is it to have a mother so beloved by everyone else? She exits the front door after putting on her long-sleeve, black, fleece jacket with a detachable hood, then greets the neighbor who exits his apartment, saying, “Good morning.” He says, “Morning. Did you hear the ground moving last night?” Benedetta says, “I was just about to ask you the same thing. I woke up at two o’clock in the morning thinking I was the only one seeing the ground move. I had to get out my Bible and start praying.” He says, “I know that’s right.”

Just when I thought she left, she enters the living room again after telling her neighbor to take care. Benedetta says, “Help me look for my keys. We’re going to watch some movies when I get back, so think about what movies you want to see and I’ll pick them up. Don’t choose that Satanic crap that your brothers are all hooked up in or I’ll kick you out like I did them. If you no longer want to speak to them, I understand and you don’t have to,” she says.

2 Hours Later

Benedetta enters the front door, then removes her jacket. “Put in one of the movies. I picked up some food because I ain’t cookin’ tonight,” she says. Curiously, I ask, “Which movie,” then she interrupts, yelling, “Any movie!” I just insert a comedy movie into the DVD player, turn the projector on, and cut the light off. As soon the screen is on the main menu, she says, “I’m scared. Aren’t you scared of this movie?” I ignore her, then there’s a knocking on the front door.

My mother opens the front door and it’s my brother with his clothes drenched in rain. He stutters, saying, “Hi. I thought that I’d stop by to visit.” He’s not even wearing a jacket and I received no warning of his arrival. Immediately, I head to my bedroom and my mother says, “Giovanni. Go make your brother some popcorn. Did you get a job yet?” “I’m still working on it,” I say. “You have your Bachelor’s Degree. Don’t let these people with no degree beat you. Both, you and your brother need to pick it up.”

I’m simply distraught. The movie plays while the popcorn is popping and already, she pauses a scene where the main character is having lesbian sex, saying it’s a sin. Why does she press the play button? After cooking the popcorn, I pass my Benedetta and my brother a bowl of popcorn, then make my own. My brother says, “You’re missing the movie,” which frustrates me, so I finally get done making the damn popcorn for myself and my brother doesn’t want to watch the movie by heading toward my room. My mother says, “Aren’t you all gonna watch the movie?” I say, “I’ll…” My Brother interrupts, saying, “It’s boring.” “Y’all missin’ out. Mister film major needs to lose his degree.”

I walk into my bedroom and there’s a knocking. My brother says, “Hi” while waving his hand horizontally. He then says, “Can I enter your room,” where I say, “Sure.” I’m texting my friend and my brother says, “You should smile more. Maybe if you smile more, you can get a girlfriend, a job, then you’ll get a place to stay. You don’t have it rough.” “You don’t know what I go through,” I say. He says, “I’ve known you my entire life,” then says, “What were we talking about?” “How much you like popcorn. I’m going to watch this comedy special that’s playing in the living room. Do you want to watch?” He says, “No thanks. I remember what we were discussing now.”

I step around my bed to close the closet doors and hide a voodoo doll that’s in a black, fishnet bag behind several white, transparent garbage bags full of clothes. The doorbell rings and that’s the moment I look at the time on my cell phone, seeing seven o’clock. Jess made her way back to the house, but my brother talks, “I never wanted to come over here. Back at my place, I have a homeless friend who I constantly have stay over and have to kick him out whenever my mom arrives. Why’s my mother hold onto my money when I’m a grown man? I should be able to purchase any foods I want. We’re all going to die anyway. I don’t know what healthy foods to pick out. I came over here just to speak to you and sometimes, I feel like I should’ve just stood home with my friend. You make me feel like I should commit suicide with how depressing you look.”

I look at him and say, “Nobody told you to let him leave your place. It’s cold as Antarctica’s ass cheeks and you decided to let him go. You was the bully back then.”

He yells, “Why are you arguing! I hope you do go into the military and you get shot dead! I’m going home!”

I yell, “Fuck you,” hoping he searches online who has the largest penis in the world and it turns out that an infant does, then the feds deliver him a cock sized ass whooping throughout his life sentence.

He runs toward me, the kicks me in the chest. As I fall backwards on the bed, he strikes me continuously in the body region where I gasp for oxygen. He then walks away, stops his movement, then runs toward me again, but I move my body to the right with my left foot extended in the air, and he trips falling into the mahogany entertainment system, breaking the black, flat screen television. Flashbacks of when he’d pummel me every day occurs while I suffer from a convulsive groan. Jess (who has green and blue, long dreads, rushes in my room to see my brother resting in the shattered glass. He has a bloody forehead.

Jess screams as I put on my black, leather jacket. My mother arrives in my room and I exit the room before grabbing a book bag, which includes my cash and birth certificate and social security card. Thus, I slam the front door shut.

30 Minutes Later

Where I sit on a bench outside of a mall, I’m consuming seasoned French fries and cheesy beans, which has the aroma of fresh, mushroom pizza in a bowl. A photogenic, desi woman with long, black, curly hair and a pink rose poking out of the top right section approaches him. She has a red bindi, two, authentic, small, silver, round piercings on both sides of her nose, perfectly aligned from both corneas, red fingernails, two golden bangles on both sides of her wrists, a purple, laced shawl, a laced, black, pencil skirt embroidered with red and pink floral designs, and purple tennis shoes with a dream catcher design on both of them. Her smile is extraordinary like finding living fish in inside a volcano. She says, “Excuse me! I couldn’t help but notice what you’re eating and was wondering which store did you go to?”

There’s a small, round, silver piercing in the front section of her tongue. I say, “Postasia’s Burgers. 2486 North Six Port Heights on Main Crestorfield street.”

She says, “I was going in the right direction then.”

I say, “Yeah. That’s what I did at first. I just followed the smell.”

“Yummy,” she says as if she wants to taste the food that I’m eating.

“You want to try some,” I ask.

She responds, “No thanks. I’m on a diet,” walking away taking two steps, then returns, saying, “That’s so sweet of you! You didn’t have to!”

She grabs some French fries and a separate burger I’ve not eaten, then sits on a bench. While she eats, I try to get to know her, “What’s your name?” She says, “You’re not from here, are you?” A scrawny thuggish man walks by the bench and says, “Gotta lighter?” I nod my head horizontally as she says, “No, Devonte! You know I don’t smoke!” Devonte says, “Is he bothering you? You want me to handle him?” She says, “We we’re doing just fine until you interrupted. Why don’t you go and smoke somewhere else?”

I utter the words, “I’m going to get going.”

She then says to Devonte, “See what you did? You scared him! You always do this to me!”

Making a right turn around the corner of a rundown hotel, I then walk away into an alley, but as I walk, from behind me, I hear a glass bottle shatter against the black, concrete ground. Devonte has an intimidating look of rage as he walks forward, eventually saying, “Stay away from my bitch! You got that!” “I’m leaving,” I say, but he pushes me into a brick wall where my forehead hits hard. He lifts up his shirt, draws out his handgun, then, beats my face with it. Thus, he aims the weapon at my bloody forehead as I gasp for oxygen. The woman runs from behind Devonte, screaming while I’m on the ground, defenseless.

Devonte says, “Stay away from my bitch! You got that?”

“I said I’m leaving!”

Devonte shoots me in the left kneecap. Blood leaks on the ground while I scream in excruciating pain. The woman screams, saying, “No!” Devonte pushes the woman to the ground, then shoots me in the left clavicle. It rains and Devonte says, “Stay away from my bitch,” shoots me once more in the same area, then says, “Don’t bring your ass round here anymore!”

Devonte says, “Come on,” then the woman rises. He holds her hand, pulling her from my blurry vision. Then, an earthquake shakes the ground. Devonte yells, “Oh shit” while the desi woman screams. I hear running footsteps on gravel, but I can’t run anywhere in my physical condition.

2 Hours Later

I awake, naked in a bathroom full of cold water full of ice cubes and white, lit candles surround the bathtub. A blond woman with short, straight hair and a black bathrobe positions her right index finger above her mouth while her left palm blocks his mouth. I was simply trying to breathe. I hear footsteps against a wooden floor and they’re not hers. The bathroom door opens by itself and the woman looks behind, saying, “I’m glad you could make it. Say hello, Gregory.” There’s nobody behind her and I hear nobody saying hello. The woman then turns back facing me, saying, “And your name is?”
I say, “I’m…”

As much as I try to think of fake name, she interrupts saying, “Giovanni.”

“How’d you know that,” I ask.

“Gregory knows everyone who enters this house. Stay still. Before you leave, you’re going to be feelin’ one hundred percent.”

I say, “Thank you for picking me up, but I should really be get going.”

“Gregory says he was friends with your father,” she says.

I try to rise from the bathtub, but my injury drives my body back down into a resting position. She says, “Take it easy. I’m not going to hurt you. By the way, my name’s Tomorrow.” My cell phone levitates from the kitchen sink hovering above my shoulders. She passes me a white dry towel where I dry my hands, then grab my cell phone to see my mother attempted to call me 55 times and sent me over 9 text messages where the most recent one says, “You’re never to step foot in this house again and I’m putting an end to your cell phone service, so while you think you had it hard now, the real world will kick you right in the ass!”

I check a message that Helen sent me, which says, “I’m worried sick about you. Why won’t you answer me?”

Suddenly, I try to text back, saying, “I’m doing okay,” but my message is invalid. Thus, on the cell phone, words form as if though I’m texting it, reading, “Just go away.” The message sends and I see the response from Helen, reading, “What the hell has gotten into you? First, you wanted nothing but the best for me and now you want me to go away? Go fuck yourself!”

I nearly drop the cell phone in the water from how enraged I am, saying in agony, “What the hell did you do!”

She says, “I didn’t do anything with your phone,” then temporarily looks to the left, saying, “Gregory, did you mess with his phone? Gregory says no. We were standing here the entire time.”

“Get me out of here,” I yell.

The woman puts her right palm over my mouth, then says, “When I shut the door, your body will be one hundred percent. One. Two. Three.”

She leaves the bathroom and the door shuts by itself. After I lower my cell phone on the toilet seat, my injury isn’t painful anymore. What just happened? I stand on my two feet moving my left leg above the water and touching my left clavicle. I no longer feel a wound, then look in the mirror, seeing that the wound is gone.

I step out of the bathroom, cautiously looking around, wondering if I should run out of this place naked or search for clothes. A record player plays from the living room, which startles me, so I dart my head around. Nobody is in the living room, but the record player is moving by itself. I hear several disembodied voices say my name, “Giovanni!” Then, a bedroom door pops open and it’s Tomorrow, but this time, she’s firmly holding a beige dress shirt and black dress pants on a wooden hanger.

Tomorrow says, “I know you don’t plan on running out there naked with your package out.”

Sarcastically, I say, “Not any time soon.”

“Your mother just wanted you to have a backup plan. No she didn’t,” the voices say.

I say, “Thank you.”

She says, “No. Thank God.”

 

3 Years Later

I’m in a bathtub and Tomorrow opens the door, saying, “My marvelous, marvelous Giovanni! I need those incendiary powders made by tonight. Everyone’s doing their part. Gregory is on the look out and I’ll bring in the bait. It’s go time! Let’s do this!”

Tomorrow covers her yellow, spaghetti strap with a black pea coat, then exits the house. 30 minutes later, I receive a text message, letting me know it’s time to go outside. Trying not to slip on the black ice, which covers the concrete steps, I walk down, then toward her black convertible. She opens the trunk and there’s a rolled up Indian rug that she wants me to carry into the house. I carry the rug wondering what the hell I’m going to look like if someone sees me struggling to lift what feels like dead weight. What if I slip on the black ice and the body rolls out of the rug? There’ll be witnesses everywhere and I’ll effortlessly make the cover of the local newspaper.

The rug is heavy, but I lift it up, nearly falling backward before Tomorrow catches the rug by her lonesome and sits it in front of the door. Gregory opens the front door, then I position the rug into the living room. The front door shuts after Tomorrow locks shuts all of her car doors and locks them. Thus, she rolls the rug until it’s flat where a naked male is in an unconscious state.

I sit slumped down in a wooden, rocking chair, smoking a sweet cigar while Tomorrow walks over to kiss me on the lips. She moves backwards with a smile as the defenseless victim on the floor is getting his hands tied shins his back and ankles tied together with a thick rope by Gregory.

The victim wakes up and Tomorrow has on a black mask as just as I do. She slaps him across the face, then says, “A or B. A, you empty your bank account or B, your joint-stock company will be no more.”

The victim tries escaping the ropes, saying, “What the… Who the hell are you? How did I get here?”

She refuses to answer his question, takes the cigar out of my mouth, where wisps of smoke wander around the place. Then, she positions the cigar in her mouth while opening a steel, silver cooler to grab a cold beer. While I watch her temporarily remove the cigar just to drink from the beer, I grab another cigar, which sits beside an ashtray full of cigarettes on a black nightstand.

After rising from my rocking chair, I strike him in the mouth. As much as he desires to cover up the wound from his bottom lip, he can’t. Then, I look into his brown, leather wallet, which is sitting on a rectangular, glass table. The victim’s name is Jeffrey Manomark who is 5 foot 4, 156 pounds, and in grave trouble.

Jeffery weeps, then screams desperately for help as I drag him into a bedroom where the air conditioner has been on for nearly 2 hours, colder than the negative 5 degrees from outside. “Please! No! No! No,” Jeffrey screams, but his words don’t save him. There’s a silver, stainless padlock on the top closet shelf that I grab, then place in a black, fishnet bag. Thus, I swing the weapon at his jaw, dividing his top, right canine tooth from his mouth as blood follows. Blood trickles down his mouth with the mixture of saliva while tears run down his fearful eyes.

Sarcastically, I then say, “Smile more. It’ll ward off the evil.”

I then kick him in the testicles and wonder which one of his testicle hurts the most. Jeffrey squeals in a tone that I favor, then grunts in a shaking motion. His body hair reaches freezing temperature and his nostrils stick against his flesh, making it complicated to breathe.

Great. Tomorrow arrives saying, “What a strong man I have,” then says to Jeffrey, “That’s more than ten seconds I gave you. Make a choice. A or B.”

Jeffrey says, “Fuck you!”

I kick him in the testicles once more, then put him in a supine position, holding his back upwards with my right knee pressing down on his spinal cord. He yells as Tomorrow grabs a dirty, white rag with brown and grey stains from the bathroom tub, then heads into the black, bedroom dresser, opening the bottom drawer to take out black tape. She stuffs the dirty rag in his mouth, then wraps the tape around his mouth approximately four times. Suddenly, it feels more peaceful. Yes.

Constantly, she walks backwards and runs forwards, kicking him in the ribs and testicles. The victim cries uncontrollably. Although he cries with his hands tied behind his back, I won’t let go of his arms. Then, I stretch his arms in an upward motion to the point where I hear bones crack. Thus, he screams. Tomorrow then says, “A or B!”

I say, “Gosh. If you empty the man’s bank account, that ruins his business altogether and if you ruin his business, he has to find another way to make money.”

Tomorrow says, “Don’t give him the answers. Jeffrey has to think for himself in life or he’ll never succeed like you.”

I say, “I would’ve never succeeded without a hand from you.”

Tomorrow says, “You’re strong and have survival instincts. Maybe you forgot how things were before, but I remember just like yesterday. The balls you had to survive under your living conditions weren’t as good as his.”

I say with a serious voice, “Does that make it right to punish him?”

She says, “Fuck yeah, dude,” then laughs.

I laugh along, saying, “This motherfucker should’ve never fucked with us fuckers!”

“B,” Jeffrey yells.

Tomorrow removes her black, leather, studded belt, the swings it at his body approximately twelve times, yelling, “Don’t yell at me!” Jeffrey suffers several welts on his body and a bruise mark on his right cheek after I strike it. He bleeds profusely from his bottom lip. Tomorrow says to Jeffrey, “Act right because Gregory is watching you.” She leaves the room as I follow her. Thus, the bedroom door slams by itself and a silver lamp flickers on and off by itself.

Jeffrey panics. A glass of ice, cold water tilts over the dresser, landing on the grey carpet.

Gregory picks up a keen knife, which is slid from underneath the door. Jeffrey looks at the weapon levitating toward him. Nobody is in sight holding the weapon, so Jeffrey screams. The light turns out as Gregory launches the knife into Jeffrey’s body three six times, his face, twice, and his right shin, once. Jeffrey suffers eternal bleeding.

In the living room, I receive a text message from Helen that reads, “Call me.” Immediately, I call her and hear Helen softly say, “I love you.” Another individual with a deep voice says, “Leave my daughter alone, you nigger.”

“I’m not black dumbass. Call here again and I’ll murder you,” I say before ending the phone call.

Tomorrow says, “But you are black.”

I say, “How could you hear that conversation. He was speaking very low.”

“Your friend loves you. Wanna be her savior,” she says?

I say, “No. I’m done with her. I’m just done.”

Tomorrow says, “Take some time to think about it while I check up on Gregory. Gregory! Gregory!”

“Sure,” I say.

She walks down the hall and stops, saying, “Mommy got you a treat. Giovanni! Grab the treat that’s in my purse!”

Her demanding voice makes me follow her command. The moment I unzip her, purse, which is made out of leopard skin, I see a black and tan poodle barking. I take the poodle out of the purse, eyeing the vacant hall. Her malicious smile is behind me. She grabs the poodle, saying, “Thank you,” then speaks to Gregory, saying, “There’s more if you keep it up.”

In awe, I stare at the poodle being devoured by nothingness, yelling for someone to save him. Blood drips down to the white, tiled floor and the blood is the same color as Tomorrow’s living room curtains, which drapes down the floor. I take a seat, suffering from a flashback of Benedetta half naked, wearing a bluish-green, laced bra and black pantyhose, saying, “Here. I’m done using the computer” Benedetta hands me my laptop back and when I shut the bedroom door to sit down on my bed, type in the URL, I notice that she’s been on lesbian porn sites. After making a disgusted face, I delete the the URL history, then look at the pictures section in my documents noticing my mother posing naked, revealing her buttocks. Immediately, I exit out, sit the laptop on the bed, and sit back, trying to breathe. The moment I exit the flashback, another flashback occurs, but this time, it’s of Devonte saying, “Stay away from my bitch! You got that?”

I grow impulsive, heavily breathing, wailing against the pillows on the couch. Tomorrow walks by, snapping her finger louder than a police siren and hypnotically, I pause. Tomorrow then sits beside me, wrapping her right leg around my right leg, then wrapping her arms around my neck, saying, “That’s better. That’s why I love you, babe. You always know when to do what’s best for me. I just love you.”

Her last sentence echoes in my ears, repeating in her ethereal voice, “I just love you. I just love you. I just love you.”

She proceeds speaking, “What’s on your mind, hun?”

I respond, “I think you’re ticklish.”

The Following Day

I’m wearing a black mask, a black hooded sweatshirt under a black trench coat, black, medical gloves underneath black, leather gloves, leather pants, and black hunting boots on a rainy Sunday night. In the backyard of a bungalow, I wander, seeing that the bathroom window is closed shut with the lights off and the door open. From looking through the bathroom window into one section of the hall, I know there’s nobody around. Even if curtains blocked my view, I’d hearken to where the vigilant homeowner goes daily, just to pry the window open by first inserting a utility knife in the gap between the sash and frame. Then, I position the knife around the opening of both sides of the window, remove the utility knife. Then do the same thing with a putty knife. I position my black flat bar where the sash meets the window sill, tapping it with a black hammer around and lift the window up after slowly pressing the flat bat downward on the bottom angles of the window.

Slowly, I make my way into the gloomy bathroom, closing the draped, beige curtains, which were on the sides. Then I lightly walk toward the door, peeking around both sides. There’s nobody in the hall, then I see a bulldog that walks nearby until I rest a piece of seasoned steak on the wooden floor. The homeowner’s bedroom door is wide open with her black, flat-screen television turned on, mounted on the plaster, red-brown painted wall. A separate room is closed, so I check the living room where a paralyzed female with long, curly hair is sitting defenselessly in a wheelchair. She has a blue blouse under a grey jumper dress with black stockings.

Slowly, I walk backwards, moving into the bathroom and stepping into the bathtub with a handgun, which has a lovable silencer kept in his back, right pocket. I then hide in a supine position with the handgun held upwards. The separate door opens and it’s an 8-year-old boy in green pajamas with black, horizontal stripes, holding a half eaten black, ceramic bowl of disgusting oatmeal and a panini sandwich. The anonymous boy leaves the wooden door opened enough for me to know that the handicapped woman and the boy are the only two currently in the bungalow.

The boy says, “Mommy. You dropped your steak.”

The mother rolls her wheelchair around with a confused look on her face, then sees a shadow come out of the bathroom. I then step out of the bathroom as her opened, bedroom window allows the air to lift the bottom section of my trench coat. I shoot the little boy in the back of the head with no remorse, cherishing the moment blood squirted from his stupid head. The bowl falls to the carpet, cracking. Afterwards, the mother screams, but not too long, for I shoot her in the right lung. Her head rushes down to her cleavage area as blood trickles down her wound.

I walk toward her as she struggles to breathe, but I recline the wheelchair with my physicality. I slap her repeatedly as she cries, then push her handicapped ass out of the broken wheelchair. Her voice rises 8 octaves when I yank a handful of her hair from her precious scalp. She bleeds from her scalp, slowly struggling to crawl away with only her arms. Her legs are motionless.

Yes, I laugh while placing my right foot on top of her left ankle. No longer can she move further away from me like having a couch leg stuck on a cat’s tail or holding a worm in the palm of my hands. Her fingers linger as she sails against the grey carpet. I remove my right foot only to stomp against her left ankle, dislocating it. The exhilaration I’m receiving calls for a beer I’ve not yet drank.

Oh, her sexiness leaves me no other fucking choice. No woman would want to accept me unless they’re old as shit, a cheater, have an immediate family, or some other bullshit pattern leading to me wanting nothing to do with them. After tonight, I’m a motherfucker. I reflect on how I deflowered Tomorrow 3 years ago, then realize how lucky this crippled bitch is.

I rip off her jumper dress, then remove her blue blouse with my body weight positioned on her. She tries fighting back, but I smack her arms to the carpet, repeatedly, then slam her head against the carpet. Thus, I unzip my pants and penetrate her lazy ass with my 9 inch penis.

It’s Monday fucking morning and I reflect on how I committed a diabolical murder. First, I penetrated that slut from yesterday, then I stabbed her in the body region sixty five times, the face 92 times, and the right shoulder twice. After so, I decapitated her dumbass son’s head with just a knife, then put his head in a living room fish tank where goldfish roam. Other than that, I suffer from the random thought of how a witch in the past cast a spell on my brother that forces his eyes to roll in the back of his goddamn head randomly like he’s a zombie rip off.

I’m crossing the street. That’s something my brother most likely would have to worry about. Damn! Tomorrow is on the other side. Befitting. Her name sounds like heaven. She smirks and tells me to walk with her so that we can chat with friends. During the walk, there’s yet another flashback on when I say, “God doesn’t like it when you cheat.” Benedetta responded with laughter, saying, “Everyone’s been saying the same thing for years and nothing’s still happened. God who?” It wasn’t only thirty seconds later that shirtless pig spoke about me needing to join a church, then spoke about Jehovah being the one and true God.

Tomorrow can stop my qualms. We enter a mall where she hugs a woman I recognize. For fucks sake! I smell imminent depression. It’s Jess with black, curly hair a blue tank top, black and white camouflage pants, and black hunting boots. Jess says, “Well, isn’t it not Tomorrow’s husband.” I say, “We’re.” Tomorrow interrupts, “Dating. We’ve been in a relationship for about about a year.” Jess says, “I see. And he still never popped the question.”

I say, “I can,” then Tomorrow interrupts snapping her finger, saying, “My future husband knows exactly the right time to say whatever is on his mind. He knows exactly what I’m thinking, so popping the question will not be a problem.”

“Where’s your husband,” I say. Jess says, “His name is Devonte. We’ve been engaged for 3 months, got married in Vegas, and two years later, here I am now. He still does everything a man should from being my personal chef and spoiling me if you know what I mean. Devonte’s out with the boys right now.

Immediately, I walk away from the discussion, but tomorrow looks at me as I try to turn my face away. I can’t move my face and body as if though someone or something is controlling me. I then gain control, moving slowly, but the telekinetic power is too powerful. Tomorrow says, “Leaving so soon? Helen is stopping by in thirty minutes to talk.” That’s my online friend who I’ve never met in person. How is Tomorrow friends with Helen, so out of curiosity, I ask, “How do you know Helen?” Jess says, “Including your mother.”

“Stay away from me,” I say.”

Tomorrow says, “Just where do you think you’re going?”

I immediately run after yelling, “Get the hell away from me!”

A few out of approximately fifty five strangers from the cafeteria laugh directly at me as if they’ve been watching me for years. I hear one stranger say my name in a whisper, then two other strangers talk about Satanism at a table as if nobody would care about their discussion. A black, portable, two-way radio transceiver turns on in from a stranger’s front right pocket, saying, “Suspect is at the centerpiece. I repeat. Suspect is at the centerpiece.”

Helen arrives with a similar electronic device and she says, “Copy.”

“What the hell are you doing here,” I say.

A hyperventilated Helen says, “That’s no way to keep a woman. Tomorrow, you need a real man. Don’t settle for this soft piece of trash.” Jess, Helen, and Tomorrow laughs. Thus, I run away knowing that telling people about my experiences will get me put in the crazy house.

I rush out of the cafeteria, bypassing three female mannequins, exiting the back door of the mall. There’s nowhere to go, but a hotel. There’s nobody to trust. I could be gruesomely murdered in a hotel. My best luck is to live in any car. Shit! My car is at Tomorrow’s house.

No matter what, I don’t stop running, but constantly hear voices haunting me, saying my name, “Giovanni!” The voices even laugh and groan.

I cross two streets, turn a right corner, then head to Tomorrow’s house. Loud gunshots wander across the neighborhood. I shut the front door behind me and grabbing a handgun from on top of the dresser in her bedroom.

Then, I position the handgun in my front, right pocket, heading outside, toward the blue car. After opening the car door, I take my gun out of my pocket, and place it in the passenger’s seat before lowering my haunches. I shut the door, then speed down the road, going 45 miles per hour, nearly crashing into a parked car.

My heart pounds rapidly as a flashback occurs. I see a thuggish man with a black durag sit down in an English classroom beside me speaks to me, saying, “I can hook you up. What type of bitches you into?” I reply, “I’m…” he interrupts, saying, “Your ass ain’t never gonna get the bitches like that. You see that he, she or whatever it is sitting at the far right corner? That’s your type. She’s told me she’s a hermaphrodite.”

In response, I think, but refuse to say, “Was that before you had sex with her?”

I see a nerd talking to his friend, saying, “I don’t like my mother.” The thug who could be Devonte’s brother gets involved saying, “I’ll beat the shit outta you. Always respect your mother. My mother would’ve beaten the shit outta me for saying that.” One female student sitting in the back of the class says, “Just let it go.” The thug yells, then exits the classroom slightly before the boring teacher arrives.

20 Minutes Later

I’m in a hotel bedroom and sit on the bed with the handgun aimed at my forehead with my face lowered. The disembodied voices followed me, still communicating to me. One voice says, “She knows where you are.” Another voice says, “Nobody cares.” Just when I lower the gun, it fires on its own, startling me. I turn around seeing a bullet hole in the ceiling. The top drawer from the tawny dresser opens, revealing a Holy Bible, but I turn away from it.

A knock is at the door and I rise, positioning my weapon in my right, back pocket. Slowly, I walk closer, eventually looking in the peephole to see a blond hotel maid in her late 20s with a ponytail. I open the door, then see that it’s Tomorrow in my presence. Thus, I slam the door, grab a black luggage bag and open the door again. Down the hallway, I run while receiving a phone call from Tomorrow.

When I pick up the cell phone, she says, “Hey sweet cakes.”

In response, I say, “What the fuck is going on?”

She says, “You have two eyes. Tell me. You don’t have the strength to kill yourself. Kill me if that’s what makes you comfortable. What I want you to do is walk back over here and kill me.”

“Are you crazy,” I say, “Everyone’s watching me.”

She says, “You’re a coward. When you grow some balls, go fix me a sandwich.”

I say, “Just stay away,” then end the phone call.

I block her phone number while running pass Jess, who says, “Catch ya later, champ.”

While rushing in the parking lot, I see a police officer step out of his car. It’s Devonte, who says, “Woah! Woah! Woah! What are you up to running so fast out of a hotel? You wouldn’t mind if I check your license and registration?” I say, “Motherfucker! I remember you.” Devonte says, “Keep remembering. Now, show me your fuckin’ license and registration! Don’t move!”

I immediately move to the left side, grab his arms, positioning them in the air, the headbutt him three times. Thus, I shoot him in the heart, twice before rushing in my car to drive away from the scene. I just kill a cop and now I’m going to go to prison when the surveillance cameras identify my depressed face. Beside a local park, I stop the car, then ain the gun toward my right cranium, shooting myself dead.

 

 

 

 

Steering Austerity

© Dec. 1, 2017. All Rights Reserved.

Abnormal paranormal, so informal,
It’s a miracle.

(She’s not a garden-variety woman)

I stood watching the unwatched stalkers.
I lived living a lifeless life, here.
I’m so alone with drunk sleepwalkers,
I was numb, but now I’ll disappear.

My normal’s not your normal.
(They’re breathing! They’re talking!)

There’s a garden in a trailer truck.
Over the husband, the widow plants;
Then, outside the wheeler for good luck
But there’s so many ants and she chants.

My normal’s not your normal.
(They’re breathing! They’re talking!)

The wheeler moves; she fears going out.
Bushes grow above the clear windows.
She lurks during a blackout and drought
Where the desert has large cockatoos.

My normal’s not your normal.
(They’re breathing! They’re talking!)

Her unrequited passion for planting
Haunts deeply like the 8th, forbidden sea.
No seeds to accompany her panting
To crying under a burning marquee.

My normal’s not your normal.
(They’re breathing! They’re talking!)

Often, she drives, but nature’s yesterday
With golden compasses surrounding her
Engraved to trees like everything to say,
Deader than a sad, thinking saboteur.

(She’s not a garden-variety woman)

Abnormal paranormal, so informal,
It’s a miracle.

Before the Morningless

© Nov. 1, 2017. All Rights Reserved.

Enchanted with
Burgundy folklores
Are the lakes imprisoned by
Cold smog.
In the depths, there’s
Livid carnivores
On leashes like
Watchdogs with fresh grog.

Aquatic creatures watch;
Some have wings,
Catching their prey in
The cloudless hours.
The dearest creature has
Nose piercings
And makeup, which
The lake devours.

They buttress their
Passion with shackles,
Which fades swifter than
Red lightening.
Souls used to mount them,
But fate tackles,
Tickling. Yet, oh, so frightening.

Trainers are consumed and
Crows are fed,
With blood trickling
Down jugulars.
Dusk’s widespread and the
Morning’s red.
There’s whispers and a
Thousand monsters.

A squeal boosts from the
Underground lake
Where there’s gargoyles and
Rain under.
A male rescues her with
A heartache.
Thus, she transforms to
A mermaid. Blur.

Murder! One rescuer
Drowns in blue.
One human searches for
The creature,
Which chases her in
A vent askew.
Then, the victim’s stuck with
A seizure.

Watch out! Watch out! Here comes
The mermaids
And mermen gods who
foresees attacks.
Flying over dead trees,
Black nightshades…
Miniature minions like
Winged wolf packs.

Seaweed ceases the
Deceased species.
Nobody’s safe!
Safe houses flood.
They’re watching below
Zero degrees,
Deceiving humans and
Drinking blood.

They can shout louder than
Havocs, yet
Tarantulas cries
Shatter diamonds.
These species never sweat, but
Don’t bet.
They’re crowding the
Unearthed motherland.

Red Gales and Her

© Oct 1, 2017. All Rights Reserved.

A giggling baby in a white diaper is mounted on a grotesque gargoyle from a 4-story, concrete building as gales blow the opposite direction. The mother is nowhere to be found, but a man in his mid-20s, (wearing a black and red, button-up, mackinaw, blue jeans, and black jackboots) sitting in a wheelchair, watches the baby girl. A concerned, 18-year-old with chestnut hair and beautiful eyes the color of rainbow moonstone with the colors bluish green, to yellow, to orange, to green (built like good juju with a double ponytail, a zipped up, beige peacoat over a silk, milk-white, long-sleeved bell sleeve shirt, blue skinny jeans, and tawny, shearling boots) shouts, “Oh my God! Somebody get that baby off the roof!” There’s a diversity of approximately 20 onlookers watching the occurrence, nervous if the baby’s next move will be her last. Six of those twenty onlookers take out their cellphones to record as the 10-month-old has the compulsion to walk, balancing herself on the gargoyle.

Instantly, the anonymous baby slips. The woman’s scream joins the crowd, but the calm man spins his wheels forward with his arms open, catching her naturally like a football. Everyone is in awe. The girl’s unscathed. He moves his wheelchair toward the adorable teenager who compliments him, “You’re a hero.” Remaining speechless, the odd man nods his head sideways, hands her the baby, (where he notices the palm of her hands appears like titanium quartz with the color black, bluish-green, and purple) then heads the opposite direction in his wheelchair. A police officer reluctantly steps out of his vehicle in the background, shocked. The officer stares at him as if though he watched the hero drug a scorpion with polonium in a syringe, then light the scorpion on fire.

Although he saved a falling baby from her catastrophic death, absolutely nobody bothers to steer him toward his destination. He rolls his wheels approximately 4 blocks across the street in the freezing snow, which is 18 inches high. Snowflakes fall from the ultramarine empyrean. Three delinquents laugh at his crippled condition. One delinquent has brown dreadlocks, a red banana wrapped around his forehead, a vermilion winter coat, black jeans, and black boots. The second delinquent is a brunette with short, curly hair, a carmine, hooded, insulated jacket with black drawstrings on both sides, blue jeans, and black shoes. The third delinquent has a crimson parka, three teardrops on the right side of his cheek, blue jeans, and crimson shoes.

Ignoring the delinquents before they can give the hero blood boiling rage, he digs the rest of his path, which is a walkway to his ventilated cottage. The three delinquents follow him to his cottage, which is enormously unsettling. He opens the front door and the delinquents are shocked at the noise they hear from inside. Could it be that he left his television on? The sound of a defenseless, little boy is screaming with adhesive tape wrapped around his mouth. As if though hiding a bizarre sight, the hero shuts the door and locks it while the delinquents walk away with confusion etched on their faces.

Inside the cottage, the urethra of the 7-year-old boy is separated and left in a white, ceramic salad bowl. He rises from his wheelchair, lunging a keen knife into the boy’s right, testicular organ with excessive force, which causes it to rupture. The boy’s mangled face turns into rage and tears. A stack of photographs of the boy’s endoskeleton is sitting beside him. He’s handcuffed to a radiator, petrified.

Flashbacks occur of the hero making nitrocellulose and mixing it with concentrate sulfuric acid and water in a brown, ceramic bowl. After putting ice cubes and salt in the solution, he adds cotton, allows it to soak for approximately 12 hours, and cleans it in cold water. He pours the formula in an empty liquor bottle, drives to his victim’s house, then pours the formula from the bottle into a hollow front, right bed leg. He effectively screws the bed leg back on the bed with his white latex gloves. Thus, he leaves victim’s house knowing that the drug addict victim will let smoke wander to the extent of escalating heat, which would set off the explosive.

His cottage is protected by material one should only witness during a natural disaster. Beneath the cottage, there’s an enormous, underground region with a perforated barrel shroud in a freezing temperature. In the region, there’s a life buoy-shaped, metal material which holds a hundred times the weight capacity of the cottage. Inside the material, there’s a superconductor. Above the surface of the cottage, there’s a remarkable remote control, which controls rather or not the house can levitate or float on water in case of a severe flood.

Another flashback occurs. It’s raining and a riot is outside where people hold burning bats, guns, and knives. He sees his defenseless mother getting stoned while he’s only 6-years old in blue overalls and black boots. His mother cries as if though she replaced his sadness for numbness. She is wearing a peach halter top with floral designs, blue jeans, and leather, black riding boots. One stone strikes her on the right temple which causes a laceration. The bleeding compresses her brain and the intense pressure causes her to die in several minutes.

Another flashback occurs from 5 days ago of him naked in a bathroom. A naked brunette with buttocks flatter than a pancake is gasping for oxygen. Tears are running down her fragile cheeks. Her hands are tied tightly behind her back from thick, brown bull rope, her bosoms appear as if though they were in a deep fryer for over 2 minutes and her back appears like aerial shells dug deeply into her spinal cord. Massive blood leakage exits from her rectum when a keen knife is lunged inside. He drags her body out of the pool full of cold water, which causes the back of her head to slam against the black and white, tiled floor. He then deflowers her; he penetrates her, blocking her screams with his hands.

He exits his flashback and hears a light knock at the front door. Swiftly, he hides the little boy in the living room closet, wrapping his mouth with tape, then rushes back into his wheelchair as if though he’s handicapped. The buffoon then knocks on his front window, which is blocking him from seeing the inside of the house. This buffoon (wearing only an orange, unzipped jacket, black t-shirt, blue jeans, and red tennis shoes) didn’t even ring the doorbell, but he gives a sinister at the front door while cracking his knuckles as if though terrifying. The hero opens the door as the buffoon laughs walking by.

“Hey,” the buffoon says as he enters the heroes cottage.

“Hello. What brings you here?”

With a low voice, distorted voice, the buffoon says, “I ju-ju-jus-just wa-wanted to see you c-can h-help me w-work on my album.”

The hero shuts the front door, then says, “I’m not interested.”

“C-come on! I’m y-your brother!”

“No means no. It’s late. I’ve said no for over 15 years.”

“Y-you don’t know h-how g-great this album c-can be if we j-just work together. I-imagine if we both m-made a r-rom-romance s-s-song and it’ll infl-influence others to l-love more.”

“I heard your music. You rap about guns you don’t use, but you despise other artists for talking about the same thing.. We have two different opinions about love here, bro. Is that all you came over for?”

“P-pretty much. I j-ju-just want to f-finish my albums before I d-die. I have over eight-eighteen I’m still working on. May-maybe if you li-listened to m-my songs more, it’ll teach y-you how to be more soc-social and y-you can meet friends. I ev-even tried get-getting you a girlfriend back in high school.”

“Huh?”

“I even tried…”

The hero interrupts, “No. the first part and I didn’t want a girlfriend back then. If your dad picked out your girlfriend, would you be happy?”

“No.”

“Work in your own music. That’s it. Get the fuck out my house and brush your damn teeth!”

“No! You’re gonna li-listen to th-these songs I recorded on my cell phone.”

The hero receives a horrible flashback of his brother pummeling him to the floor countless times a day in 4 of the same shirts in over a 5 year period. He has more flashbacks of being called words like “Retard,” “Four eyes,” “Single,” and “Nerd.” More flashbacks occur on how the buffoon bullied him as he aged. Suddenly, he exits the flash back and rises from the wheelchair. His brother is shocked.

A disembodied voice, which sounds exactly like his brother enters the heroes sensitive ears, “I’m not your brother!”

The hero draws out his bloody knife from his back right pocket, and lunges it into his brother’s spleen repeatedly, approximately 48 times. His brother screams in excruciating pain, suffering blood trauma to the upper left portion of the abdomen, which causes a splenic laceration and severe blood loss. The hero then receives an inbox message on an online dating website he recently registered to. The username, “Hell No Friendly” with a profile picture of a woman with orange, curly hair, bluish-green eyeliner, and a milk-white, laced sundress, says, “My lover would have to be a family person because I’m close to mine.”

“What if the person who likes you just don’t have a good family,” the hero responds in the inbox message while typing onto a keyboard the color of kerosene.

She responds, “I’m bisexual. If he or she don’t respect their parents, they definitely won’t respect me.”

The hero blocks ” Hell No Friendly,” logs off the website, then shuts down his black laptop. Disembodied voices enter his ears, saying, “You’re going to be a fucking bum if you keep focusing on what makes you happy. Focus on what’ll pay the bills. Help me clean up around the house. Stop worry about the equality of women and worry about what you’re going through. Focus on you.” He drags his brother’s body out of the living room, but removes his brother’s black cell phone from his front right pocket before doing so. Blood leaves a trail wherever the hero drags the body..

The Next Day

As if it’s self-abuse to be diligent, the hero uses his wheelchair to head outside and police officers ransack his cottage right after he leaves the area. The officers steal valuable items, but no missing people or iota evidence is found. He witnesses one maroon convertible speeding at 100 miles per hour on a two-way road and a truck speeding at 35 miles per hour the opposite direction. Both of the cars collide puncturing their gas tanks. The impact of the crash is so powerful that the stearing wheel to the convertible detaches, remorselessly lodging into the intoxicated driver’s cranium. Suddenly, the convertible driver is engulfed in flames while the truck driver falls out his vehicle. The truck driver (with a lacerated face) falls as if though he’s suffering from a brain hemorrhage and kidney failure simultaneously, resulting in him smacking his forehead against the hard pavement.

The anonymous hero rises from his wheelchair and walks by the accident where the teenage girl he saw with rainbow moonstone colored eyes runs by. As the convertible car remains on fire, she opens the front door on the driver’s side, carrying the driver out effortlessly.. The fire divides from her and the defenseless driver. Thus, the truck owner reaches his feet, limping away while eyeing at the superhuman teenager in awe. She places the human on the sidewalk, gingerly.

The previous hero, speaks to the eighteen-year-old, “What are you?”

The woman responds, “Call me Ahona, your hometown hero. And you are?”

“Alessandro. How’d you do that?”

“From the powers that be,” she points at her house while saying, “I live just down the street, so if you need me, I’m at your service. This town can use a little cleaning up around here.”

Her house has a wreath hung on the front door. A curtain from the front view of her house moves, blocking the view from from the inside. Who does Ahona live with? Can Alessandro trust

3 Hours Later

Ahona sees Alessandro a table away from her and smiles. Alessandro’s crush sitting parallel to him, blushes. When his crush Jesse rises to leave, her hands won’t remove from the smooth, wooden table. Jesse’s flesh adheres to the wood and she attempts pulling her arms away from the table. Glass plates, cups, and silverware shake, which catches the attention of her crush and the curious customer’s at the local, fast-food restaurant. She rips the flesh off of her left palm screaming in agony. Blood spreads across the table and her crush screams while standing up, recoiling. Part of the victim’s left hand is still attached to the table as well as her full right hand. Enduring the pain, she rips her right palm from the table along with her fingers. All of his flesh is gone from one side of both hands and she sees an ominous smirk from a man in the background sitting.

Ahona walks in front of Alessandro and says, “Hey again.”

 

The Last Crux

© Sept. 1, 2017. All Rights Reserved.

Prosperity from a wink
Like poverty from a blink,
I can sign a burning oath,
Which prevents myself from growth,
Then dye my hair burgundy
Walking overseas carefree.

Carefully hearken to me.
There’s heart in my memory.
There’s doubt in my supporters,
Threats in my flaws overseen,
And dreams are only obscene.
They’re see-through like crystal genes
In mystic isles, but they’re machines.

The waftures in the brume never comes.
Sempiternal pipe dreams in Tophet
Inside the philistine flames, which hums
Are peaches and cream like sulfur sweat.
Somewhat like burgundy bayonets,
Hate begets hate like semethicone bets.
Aphorisms born with sidetracked eyes
Upon the disembodied war cries,
For my inordinate time deforms
Gasping for air during thunderstorms,
Seen upon the Earth. I stalked heaven;
You’re a blithe passion like oxygen.
Shall the kindest lass share your boudoir?
Shall you fathom my lifelike scars far?
The harbinger of death dwells without,
Burning me an impuissant route.
Tyranny’s fallen like an oil rig
Where flails crack every dyad too big.
Mattocks swing every bard asunder,
Where anguish betides a wonder.

Lucifer. Astaroth. Azazel. Belial.

The sullied empyrean envies.
Their ichor cries a manna of tears,
To the shingle upon land and seas,
But the gloomy depths remain dry years.
Shepherd me to your ethereal heart,
Which croons in ordeals like a fresh start.
I vow to raise our love, which smolders,
Thus, I’m burning, but I spare you blurs.
These sentries have somniferous grips
While hymeneal songs cause guilt trips.
Dulcify my qualms with your key smiles,
Which is effulgent in love trials.
Ahriman, beguiled by elixirs,
Dithering and dallying saviors.
Vehement kisses in the valleys
From bellicose Jezebels on knees.
The debris from their lips careen left
Enervated souls are of lost theft.
Cynical minions seize ulus. Ooh!
There’s bagh nakas and spears. Déjà vu.

Lucifer. Astaroth. Azazel. Belial.

Stranded, expect a lover,
To guide you undercover.
There’s myths, lies, and demon cries.
Eyes fly to heart’s shy. Surprise!
Yet, you ignore souls that’s weak.
I can smile and make you speak.

From cheek to cheek, very rough,
For I scrape bones till tough.
Feigned smiles tainted with ashes.
Gnashed teeth tear through rear slashes.
You squeal, but I understand.
You just need a second hand.

Something Something Girl

© Aug 1, 2017. All Rights Reserved.

Beginning with cloying cooties
As I’ve heard in gasconading shadows
Like chick flicks with soulmates on knees,
Proposing, but stabbed by arrows,
Which lacks crossbows from dead angels.
Mangled stares from many angles
Till the gentleman is ashes.
Thus, I’m shunned as my soul crashes.

The coquette weeps dusk rivulets
On a squeamish canopy bed, which loves,
Gyrating its legs on moquettes
As an outlet, there’s yanked shoves.
It escalates; they compromise.
Hyperventilating with replies,
They say their goodbyes speechlessly,
But has she no decency?

Outgoing, stopping for no turns,
Her buddies smooch her concerns to rest
Like sleeping pills she discerns.
Confabulations for years distressed
With comburent mollycoddling.
Lollygagging near every firstling,
I saunter the outskirts of town,
Just to stalk her stay with a frown.

On my lonesome, I tattoo cadavers;
In my reveries; they’re my clones.
Forward has mephitic conquerers,
Fallen like gags on echoed moans.
Pregnant hills from lava, which squeals
Like haleness to qualms, but love fulfills.
As I stalk them in haunted funhouses,
Confined, the bona fide agony arouses.

A fusillade of questions I can’t fathom
Entails her murdered ex in a funhouse,
Trampled by untied gasoliers. Gruesome.
Will this excursionist be my spouse?
My malformation of the heart is fading.
Drenched in a burden of tears cascading.
Her mellowed hairs run eventide.
Just like her future, pneumatic bride.

Lambasting my psyche for the bride,
So I verily shot her after ephemeral vows.
A heap of cadavers redden like genocide
As I aim pass a hundred, hollow boughs.
Bullets are my lagniappes of exhilaration.
The same woman’s alive for our vacation.
Her heart’s my perpetual keepsake
Held pass a daily gallimaufry of daybreak.

I’m a worrywart in a treasure-house.
Which can be a cesspool to a savoir-faire.
Tenebrific steps to my rectified spouse
Are as present as lingered, thin air.
Lacerated limbs fold aesthetically.
Her benign tears fall harmoniously.
Captive, I show her the agony I felt alone
Till she’s grown kissing her tombstone.

Wick Yonder

© July 2, 2017. All Rights Reserved.

Wichita, Kansas
6 Months Old

Midnight at a local gas station, Mia (6-months-old is strapped to a booster seat with ocean blue diapers) taking shallow breaths with perspiration on her worried face. The inside of the car is 87 degrees from the scintillating sun in the aestival blue sky while the windows are closed. She’s thirsty as she eyes her father (who wears a black business suit) pumping gas into the car with a gas pump. As if though the gas pump is her bottle of milk, she cries. Thus, the father opens the right side of the back door and puts a pacifier in her mouth, just to shut the door again. A heartbroken Mia remains silent, but stares at her father in unforgivable rage.

Suddenly, Mia’s father encounters a stranger, that permanently traumatized her. A gorgeous, blond woman with black face paint and long, curly hair walks by wearing an exquisite, white wedding dress. She makes a flirtatious smile at Mia’s father. A mixture of confusion and shock is etched on his face. The anonymous woman proposes, lowering to the concrete ground, then reveals a black wedding ring box. She opens the box and there’s an expensive wedding ring encrusted with diamonds.

Nearly crying in tears of joy as if though she personally knows him, the anonymous stranger says in a soft voice, “Will you marry me?”

With utter repulsion, the father nods his head and says, “Is this a joke?”

The anonymous woman rises to her feet and walks backwards. She reveals a lighter and ignites it, which causes his convertible, red car to catch on fire. Thus, she runs as fast as she can in a wedding dress as he screams for his screaming 6-month-old. He burns after attempting to open up the front door to the driver’s seat before it catches on fire. From inside of the car, Mia watches her father gradually burning in excruciating pain as if though time is playing with her mind. His raspy scream echoes nonstop in her sensitive ears as the gas station explodes.

Sunday

There’s a blood-red lemon sitting on the kitchen counter, the stove is set to 350 degrees, and the area smells like dead cadavers in Daytona Beach, Florida. It’s unfortunate that Mia is alone, and she never sleepwalks. Her bedroom window is left open as the breeze caresses her skin. Suddenly, the alarm on her black cell phone startles her from sleep. She ends the alarm on her friendly device, then encounters a quick flashback of explosion that killed her father. The only thing she sees is fire and the sound of his screaming voice calling for her. Then, the flashback leaves.

Mia tosses her yellow cover across the room, sitting at a 90 degree angle with her knees slightly bent upward. Then, she darts her head around her surroundings. With her back slumped down against the wall, the window shuts by itself. In despair, her tears appear like ashes, running down her cheeks. She wipes her tears with her palms, then smells a seasoned turkey (with garlic powder, onion powder, salt, and pepper) cooking downstairs.

A tarantula is on her purple dreamcatcher, hanging on her black, bedroom wall, which has willow tree designs. Calmly, she places Sylvia back into her tank. She slips a violet spaghetti shirt over her green bra. With her black panty showing, she exits the bedroom, sluggishly walking toward her bluish-green slippers. She looks at the grandfather clock, which chimes 8 times. Swiftly, she puts on her slippers, then heads downstairs.

On her way down, from her peripheral vision, she spots a dark figure exiting the gloomy living room. The dark figure rushes into the kitchen. The windows showing her welcoming neighborhood teases her to escape. Thus, leaving Sylvia behind, she runs out the front door, desperately screaming. Her voice echoes, but her body fades.

Distressed like it was her birthright to escape her house, she’s in the living room near the stairs. Clearly, she recalls running out of her cottage. It definitely wasn’t a dream. After turning off the stove and wiping the blood from the contaminated lemon, she disposes of it. Mia sits on the stairs crying like usual. Eventually, the grandfather clock chimes 9 times, and she’s late for work as a local marriage counselor. Sylvia eyes Mia from the top of the stairs, then crawls back into Mia’s bedroom without her noticing.

Mia’s black cell phone rings beside her and she answers it, “Good morning. This is Mia…”

In a deep, manly voice, an anonymous client says, “I know who this is! You’re late again! I don’t know how you manage to keep your job at this company, but I’ll be going over your head and making sure that you never work here again! Me and my wife will not be coming back! This is unprofessional! Have a blessed day!”

Mia sits her cell phone down thinking about the uxorious client’s voice she recognized. With forlorn eyes, she then pulls a handful of hair strands from her scalp. It’s clear to her that she cannot return to work tomorrow. Only then does the front door opens by itself. The doorknob loosens and drops to the wooden floor. She hears footsteps leaving the cottage, then sees the front door slam close.

Monday

It’s 6:00 A.M. and the weather outside is unknown. There’s no television, no computer, and no cell phone where Mia is. In a small room with milk-white, brick walls, she is wearing a straitjacket. Like a magician, she effortlessly frees her arms, then does handstand push-ups with her back near the wall. There’s a white mattress beside her and a surveillance camera above recording her every move. She hears an alarm and sees blue and white, flashing lights come from the camera.

She hears the sound of rattling keys as the door knob twists. The door knob then opens. Two, brawny, male nurses (with chiseled features transparent from their white suits) barge into the room. She’s nowhere to be found. The nurses are dumbfounded by her mastermind escape.

Tuesday

There’s blue, fluorescent lights attached to the whitewashed, brick ceiling. Nurse Morelrike, (a brunette with short straight hair and blue eyes) injects a syringe into Mia’s extended, right arm. Automatically, Mia feels the pain trespassing into her sensitive skin. A squeamish Mia looks away from the syringe; with her opposite hand, she has a tight grip on her left knee.

Nurse Morelrike says, “Your mind will thank me later. Morelrike has been around for over two centuries and you’re the second person to escape. Next time you think about escaping, think about how much longer you have to stay here and the privileges you’ll lose.”

“Thank you… Hey… who was the first person to escape from Morelrike?”

“She never told you?”

“Who?”

“You have a sister who got released early for good behavior. Her name was Arabella.”

Sarcastically, Mia says, “What did this Arabella do?”

“She stood on the roof of a 3-story building committing indecent exposure.”

Concerned, Mia says, “I was raised an only child, so I would know if I have an evil sister or not.”

“Our records don’t lie. Maybe you were adopted.”

The two brawny nurses (Valentine Bosnia and Carlos Sherri) enter the room. Nurse Bosnia is chewing on a whole vanilla wafer. Nurse Sherri accepts an extra vanilla wafer from Valentine Bosnia’s hand. Carlos stuffs the vanilla wafer in his mouth. Then, they put a straight jacket around Mia’s body. Mia’s vision gets very blurry and she gets exhausted, feeling like a zombie.

“From my twenty-two years of living, I have never once heard about me having a sister. I’m not adopted. Bye.”

45 Days Later

Specifically, Mia abhors the anonymous client who made over a dozen complaints against her. Her dissatisfaction doesn’t show. Fortunate enough, her past clients became great friends with her on a personal level, which alleviates her pain. There’s a glass, oval, dining room table with two couples sitting in comfortable, gold and white thrones. A clean glass of red wine is in front of every guest. When she enters the kitchen, both of the couples smile with reverence.

Theophilia (a corpulent 25-year-old with a black ponytail) wraps her arms around the back of her wife’s neck. Halona (a 26-year-old blond wife with an athletic body), then cuddles with Theophilia as a separate couple at eye level are profoundly envious. Holly (a scrawny 19-year-old with a crimson, bob cut hairstyle, black sunglasses positioned above her eyes, a green and black, beaded necklace, and a red, velvet, immaculate dress) glances at her boyfriend. Estevan (21-years-old with a brown afro, fringe hairstyle, and a black business suit) lowers his head in shame.

Estevan says, “How romantic.”

Holly smacks Estevan across the back of the head. Theophilia smirks while Halona chuckles.

Mia speaks, “I’m glad you all could join me tonight…”

Holly interrupts, “Ma’am, the honor is all ours. There’s no telling what you had to go through to prepare such a grueling feast.”

Theophilia speaks, “What Holly means to says is…”

“Thank you,” Mia interrupts with a soft voice.

Estevan speaks, “I would like to make a toast to my best friend in the whole world, Mia!”

When Estevan grabs his glass, it tips over. Red wine spills on the glass table, then drips onto the shaggy, grey carpet. Without words, his girlfriend’s glare is the sign of a breakup. Halona widens her eyes. A worried Theophilia searches for an expression on Mia’s face, which never shows. Mia refuses to show any vulnerability with her emotions.

Halona, a chronic smoker takes out her cigarette and says, “I would like to be excused. I have to use the washroom.”

Mia stares at Halona’s cigarette and gets yet another flashback. This time, she remembers seeing the inside of the car burst into flames and the agony of burning alive while hearing his father squeal. The suffering returns like a recent moment, but it was so long ago. She escapes the flashback, then feels the temperature on her forehead, which is approximately 87 degrees. Quickly, she gets dizzy, but refuses to sit down.

“Not so fast. We can’t leave Misses McDowsky to clean up this mess by herself,” Theophilia says.

Mia’s migraine worsens, but no emotion shows on her beautiful face. Nervously, she shivers when she heads to the kitchen to grab a clean, yellow rag. A flashback of when her father sees the woman proposing occurs. Once the flashback leaves, the faces of her guests are aimed her direction with concern. She attempts t remain as calm as possible.

Mia says in a calm voice, “Please. I don’t want my guests breaking a sweat. This is your night to enjoy. Don’t worry about the mess. It’ll be all cleaned up by tomorrow.”

Estevan’s cell phone rings. He slowly picks up the device. Mia notices the name “Bella” as the caller. Mia leaves the living room to head into her bedroom. She reflects on what Nurse Morelrike said, “Our records don’t lie. Maybe you were adopted.” She reminds herself that the odds of her having a sister are slim.

Living Room

Halons whispers, “You ever notice that Mia’s been acting strange lately?”

“It can’t get any stranger than clumsy Estevan over here,” Holly says.

“I think we just need some candles to lighten the mood” Theophilia speaks to everyone, then to Halona, “Pass me that lighter.”

“Don’t burn down the place,” Estevan whispers.

Again, Holly smacks Estevan across the back of the head. Halona chuckles as Theophilia searches in the kitchen drawers for candles. So far, she sees no candles. After cleaning the mess from the table with the dry, yellow rag that was left on the kitchen counter, Theophilia then cleans up the mess on the shaggy carpet. Thus, she throws the dirty rag in a white trash bin. At the bottom drawer, she sees candles, then takes them out. Gleefully, she places three candles on two window sills and seven candles on the oval table, before lighting them with a lighter.

Theophilia takes a seat and returns the lighter to her partner. The moment Mia enters the living room, her head darts around in horror. Her past is coming back to haunt her again. The flames from the lit candles bring vivid memories of the explosion at the gas station. She tries to hold her ears, but the flesh from her body burns so deeply that her hands wander. With a shrilling scream, which fails to absolve her of guilt in her father’s death, the burning torture allows her to sit on her knees. Her flesh turns to the color of ashes and everyone panics, rising from their thrones, sharing a mixture of screams and cries.

Theophilia and Estevan runs toward the front door, but are stopped. The presence of Mia teleports in front of them. She levitates a fire in front of the front door and windows, which causes the fire alarm to turn on. As Estevan recoils, Theophilia screams before being strangled. Mia looks away as if she’s disgusted by the fire, which runs through her flesh onto her squealing victim. Theophilia drops in agony and dies, which causes Halona to make a shrilling scream.

Mia hears a disembodied voice of Nurse Morelrike whispering, “What did you put in her! Nooo! Stop it! You’re going to kill her!”

“You’re a freak,” Estevan yells, “Get away from me!”

Mia then hears the disembodied voice of an anonymous doctor whispering, “This will be my finest monster.”

Holly runs upstairs with Halona as Estevan throws several glass plates. Her body absorbs the plates, then she continues running toward Estevan. He runs upstairs, but she burns his right ankle with a tight grip, which makes him fall in despair. Then, after taking a couple of steps up, she takes another grip on his family jewels. He screams to his torturous death.

Upstairs, Halona shuts Mia’s bedroom door and tips over a white, wooden dresser in front of the door. Sylvia is on the dreamcatcher, which makes Halona scream. Holly open up the bedroom window, but sees the face of Mia glaring through the dead trees. Thus, Mia strangles Holly with flames bursting out of her palms. Before she can cause more damage, Holly lowers the window onto Mia’s arms. Holly falls to the floor with blood pouring from the burnt section of her neck.

Holly struggles to talk, but coughs up blood as Halona speaks, “Don’t die! Don’t die! Don’t die!”

Swiftly, the bedroom lights flicker on and off several times before remaining off completely. The sound the bedroom window shatters. Halona screams like she has an extra lung. Mia turns back into human form, dragging Halona’s lifeless body down the hallway. A trail of blood leaks from her victim left on the white, tiled floor. Halona’s back is left resting slump down against the whitewash, brick wall beside the top step to the stairway.

Approximately 3 hours later, Mia walks downstairs in a white wedding dress. There’s no corpses to be found. The distinct smell of blood is no more, but it smells as if though Mia recently bought her cottage. Yet, catching her attention, Estevan’s cell phone is on the living room table ringing. She turns the cell phone over to the screen view and the caller reads, Bella. Gaining curiosity of who Bella really is, Mia reads Bella’s past messages that were sent to Estevan.

Bella and Estevan’s Texts:

Bella texted, “You up for a movie tonight, cutie? I love you so much.”

Estevan texted, “How about strip poker. I should be arriving home from work early.”

Bella texted, “Come to mommy. What she doesn’t know won’t kill her. Are you sure you want to go through with this?”

Estevan texted, “It’ll only save my relationship.”

Bella texted back, “What are you waiting for then? I’m your Arabella.”